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Claude Monet, 1840-1926, by Karin Sagner-Duechting
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Between the motif and the artist Claude Monet (1840-1926) was both the most typical and the most individual painter of Impressionism. His long life and extraordinary work capacity - coupled with a sometimes furious perfectionism--he dedicated to a pictorial exploration of the sensations which reality, and in particular landscape offer the human eye. But while Monet the painter was faithful and persevering in the pursuit of his motifs, his personal life - characterized by frequent travels and changes of location -- followed a more restless course. Parisian by birth, he discovered plein-air painting as a youth in the provinces and sought to defy his family's insistence upon an academic painter's training. For over half his life the artist was plagued by financial worries, which in part precipitated the frequent moves made by his expanding household. Two of his homes stand out above the rest. The first, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement, with Monet as its creative leader. But it was also Monet who, in his endeavour to capture the ever-changing face of reality, went beyond Impressionism and thereby beyond the confines of the self-contained panel painting. This step he took in the village of Giverny: here he painted the Poplars, Grain Stacks and Rouen Cathedral series in which he addressed one motif in constantly new variations. Here, too, Monet laid out the famous garden with its water lily pond which he was to paint on huge canvases well into the 1920s. He thereby sought to render not reality as objectively experienced, but rather that which takes place 'between the motif and the artist'. In their open, nolonger more than tenuously representational structure and impressive scale, his water lily paintings - created long before the currents of the contemporary avant-garde-point the way forward to the developments of the future.
- Sales Rank: #5723278 in Books
- Brand: Brand: Taschen
- Published on: 2004-04-01
- Original language: English
- Number of items: 1
- Dimensions: 9.80" h x .69" w x 7.78" l, 1.10 pounds
- Binding: Paperback
- 224 pages
- Used Book in Good Condition
About the Author
Karin Sagner-Duchting, born in Erlabrunn-Steinheldel, studied art history, new German literature and classical archaeology at Munich University. She gained her doctorate in 1983 with a thesis on Claude Monet's water lily paintings (Hildeshelm 1985). Academic assistant at the Bayerische Staatsgemaldesammlungen until 1988.
Most helpful customer reviews
8 of 9 people found the following review helpful.
There are better books on Monet
By Lacewing
Fully illustrated, but the reproductions are dark and to the brown/orangey side. The text is adequate, but nothing new to anyone who knows Monet. To someone new to the subject it gives an overview of Monet's life and work.
I recommend the following books for a more in depth study of his work and more accurate color in the illustrations:
"Monet, Nature into Art", John House.
"Claude Monet 1840 - 1926", Charles F. Stuckey (Catalog for Art Institute of Chicago Retrospective).
"Monet in the 90's, the Series Painting", Paul Hayes Tucker.
1 of 1 people found the following review helpful.
The book presents a nice sample of the artist's work
By Benn Godbee
I agree with the previous reviewer who notes the darkness of the color in the reproductions as a negative. However, that is why I gave 4 - instead of 5 stars. There has never been a Monet reproduction that does the original justice. The book presents a nice sample of the artist's work. However, I do wish there were more pieces from Monet's stay in Holland, particularly, his paintings from Amsterdam.
The text is a light, quick, and informative read, and is well served by the large hardcover format. It gives a quick and accurate overview of the artist's life.
0 of 0 people found the following review helpful.
Five Stars
By LMC
EXCELLENT - I LOVE Monet!
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